Bach Bibliography
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Series : ^diss.$
Year : 2003
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Marinho Silva Carvalho, Helena PaulaJ.C. Bach's London keyboard sonatas: Style and context. diss. 2003
2. Hong, J. L.Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009. diss. 2003
3. Yang, JunfengBahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. diss. 2003
4. Kac, JulietThe painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice. diss. 2003
5. Sawatani, NatsukiJ. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei diss. 2003 103p
6. Nüdling, ThomasUntersuchungen zu Johann Michael Bach. Leben und Werk. diss. 2003 104p
7. Lee, Ming-ShungA selected study of three variations by Bach, Beethoven, and Brahms. diss. 2003 116p
8. Bubar, Cheryl AnnAlto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. diss. 2003 133p
9. Morozov, SerhiiThe evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven. diss. 2003 14p
10. Elferen, Isabella vanVon Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. diss. 2003 286p
11. Reade, CyrilMendelssohn to Mendelsohn; visual case studies of Jewish life in Berlin. diss. 2003 326p
12. Jerkert, JesperMeasurements and models of musical articulation. diss. 2003 32p
13. Arkad'ev, Mihail AleksandrovièHronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. diss. 2003 360p
14. Müller, Jan HenningDer Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart. diss. 2003 448p
15. Dequevauviller, VincentÉtude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. diss. 2003 659p
16. Ham, JiminA comparative analysis of J. S. Bach's three partitas for solo violin. diss. 2003 72p
17. Lammens, S.De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert. diss. 2003 82p
18. Kaminska, IwonaJ. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano. diss. 2003 ix, 113p
19. Scooler, Evan DanielJ. S. Bach's Changing Conception of the 'Great Eighteen' Chorales. diss. 2003 ix, 343p
20. Stone, Kerstin BargerTeaching the Preludes of The WellßTempered Clavier. diss. 2003 vii, 85p
21. Talle, Andrew JamesJ. S. Bach's Keyboard Partitas and Their Early Audience. diss. 2003 viii, 307 Bl
22. Seo, Yun-JinThree cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. Slonimsky. diss. 2003 xiii, 105p
23. Peters, Mark A.Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. diss. 2003 xv, 384p
24. Zirkle, Thomas AllenDeveloping a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach. diss. 2003 xxiv, 148p

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